Since 1988 Jens Zimmermann successfully cultivated quite some dance terrains. Easygoing he takes the liberty of creating a boundless effective area now, to see which kinds of new, exciting young plants might thrive there. In doing so, he opens the floor spaces on a grand scale to provide room for full development of even the bizarrest event. This is so far-out that you are wondering where you‘ve actually landed as soon as you go there to pick it up and get it back in again. Constant morphing: Amazed you are flowing – spiritually as well as physically – through these uniquely meandering structures, in the course of which the term „time“ resists definition. The factor of being blown away is tremendous. „Sequenz 32“ (B) seems to have emanated from Zimmermann‘s private Area 51, in which Rhythm & Sound pimp up the 1975er Tangerine Dream in terms of design values. You can hear that a man is at work who knows his stuff darn well and is safe in what he is doing. The production is brilliant, the selection of sounds superb, set-ups are constructed with caution, superimpositions are finely layered, propagations and ripenings are get going in a well-considered manner. The vibes flip diverse switches after a certain while. And these are not customary toggle switches, but in fact freely manoeuverable joysticks, for a remote-controlled crowd. Some enormous consequences of these sound aspects reveal over almighty loudspeakers. Ricardo Villalobos in Groove magazine, Berlin, Sept/Oct 2007: „(In Room One of the ‚Fabric‘) you can play a JZ track solely consisting of an incredibly recorded bass drum and a single tone, and the crowd is wacking out.“ Test runs certify „Hey Freak“ (A) this desirable quality. On the horizon of a bright musical future Z-Man‘s groove evolution is flourishing.